American culture


  PRE-COLUMBIAN CIVILIZATIONS
  NATIVE AMERICAN CULTURE
  AMERICAN LITERATURE
  POETRY OF THE UNITED STATES
  MUSIC OF THE UNITED STATES
  Native American music
  African American music
  Cajun and Creole
  Tex-Mex and Tejano
  Klezmer
  Classical music
  Ragtime
  Blues
  Early postwar blues
  Blues in the '60s and '70s
  Blues from the 1980s to the present
  Country music
  Country music : Jimmie Rodgers' influence
  Country music : Hank Williams
  Country music : The Carter Family's influence
  Country music : Bluegrass
  Country music : The Nashville sound
  Electronic music
  Electronic music : Recent developments - 1980s to early 2000s
  Gospel
  Heavy metal
  Heavy metal : Subgenres and related styles
  Hip hop
  Hip hop : Origins
  Hip hop : History
  Jazz - "America's Classical Music"
  The early New Orleans "jass" style
  DANCE OF THE UNITED STATES
  THEATER IN THE UNITED STATES
  CINEMA IN THE UNITED STATES
  TELEVISION IN THE UNITED STATES
  VISUAL ARTS OF THE UNITED STATES
  SCULPTURE OF THE UNITED STATES
  ARCHITECTURE OF THE UNITED STATES




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Cajun and Creole

The Cajuns are a group of Francophones who arrived in Louisiana after leaving Acadia in Canada. The Creoles are African Americans who combine elements of Cajun culture with their own. The city of New Orleans, Louisiana, being a major port, has acted as a melting pot for people from all over the Caribbean basin. Thus, many Caribbean music styles have left their mark on Cajun and Creole music, which has evolved into a popular style called zydeco, best-exemplified by the 1950s pop star Clifton Chenier.

In southwestern Louisiana in the 1800s, the fiddle was the most popular Cajun instrument and the music still carried clear influences from the Poiteu region of France and the Scottish/Canadian influences of their earlier homeland.

In the late 19th century German immigrants spreading outward from central and eastern Texas and New Orleans soon brought the accordion as well. African American farmhands at the time sang a rhythmic type of work song called juré, which mixed with Cajun folk music to form la la, a central component of Creole music. La la was primarily rural, played at parties also known as la las.